The Top 5 Shows to See On (and Off) Broadway Right Now

添加到列表中New Yorkperks: There’s a plethora of musicals and plays to choose from, all a subway ride (or two) away from your home. So, what’s on our radar so far this year? Here, five shows New Yorkers are already buzzing about. Snap up seatsnow.

Now Playing, BAM

She was the first Black female playwright to have a show produced on Broadway—Lorraine Hansberry was just shy of 29 whenA Raisin in the Suncame to life on a New York stage in 1959. Her second play,The Sign in Sidney Brustein’s Window, is now being revived by director Anne Kauffman at BAM nearly 60 years later. The premise? A group of diverse friends are living in Greenwich Village in the 1960s and grappling with the divide between their progressive dreams and life’s realities. But the focus is on married couple, Sidney and Iris Brustein—played by Oscar Isaac and Rachel Brosnahan—and whether their passionate union can survive the pressure of fast-diverging ideals.

Why You Should See It:艾萨克和Brosnahan磁watch and, despite the show’s length (3 hours) and unfinished feeling (Hansberry was ill with cancer and didn’t have time to revise it), it’s both captivating and thought-provoking.

Now in Previews, Bernard B. Jacobs Theatre

The previously sold out New York City Center production ofParadestarring Ben Platt (ofDear Evan Hansenfame) and Micaela Diamond has officially moved to Broadway and is already being billed as one of the biggest shows of the year. A musical that’s based on a true story, the show centers on Leo and Lucille Frank, a newlywed Jewish couple who are struggling to make ends meet in Georgia. But when Leo is accused of a terrible crime, a trial with antisemitic motives is carried out and becomes the ultimate test of faith, humanity…and a marriage.

Why You Should See It:One glimpse at the show’s trailer and you’ll have chills. Not only that, but it’s also topical and already critically acclaimed.

Now Playing, New York Theatre Workshop

Written by Liliana Padilla, this play takes place over the course of a DIY self-defense class that’s been organized by students on a college campus after learning that a fellow classmate has been attacked. But as they learn to use their bodies as weapons and how tonotbe a victim, self-defense becomes an outlet for an honest and, at times humor-filled, exploration of the students’ own rage, anxiety and confusion—not to mention desire.

Why You Should See It:Rachel Chavkin—ofHadestownandNatasha, Pierre & the Great Comet of 1812—co-directs.

Now in Previews, Lunt-Fontanne Theater

Lin-Manuel Miranda isalready singing the praisesof this Stephen Sondheim revival—a musical about a Victorian-era murderous barber—which is back on Broadway this month for the first time in 43 years. Part of the early theater buzz is tied to the cast. You’ve got Josh Groban as Sweeney Todd and Annaleigh Ashford as pie shop owner Mrs. Lovett, plus Gaten Matarazzo (ofStranger Thingsfame) playing the orphan Toby. Not only that, but the production team also boastsHamiltonalums including director Thomas Kail and music director Alex Lacamoire. Sure, there was the recent off-Broadway (and immersive) production ofSweeneyat a West Village pie shop—which was brilliant—but this one brings back something that one couldn’t offer: a Broadway-level production value.

Why You Should See It:The full-scale orchestra alone will carry Stephen Sondheim’s operatic score high into the rafters, but also this particular show is thought to be one of the late composer’s best.

Opens March 21, American Airlines Theater

This play, penned by James Ijames won the Pulitzer Prize following its recent run at the Public Theater last year—now it’s Broadway-bound. A reinvention of Shakespeare’s masterpieceHamlet, it tells the story of Juicy, a queer, Southern college kid who is already questioning his identity when the ghost of his father shows up in the backyard demanding that Juicy avenge his murder. The only problem? Juicy is the sensitive type and an incredibly self-aware Black man focused on his own happiness and liberation. Comedy, but also compelling reflections on love and loss and pain and joy ensue.

Why You Should See It:TheNew York Timesraved about the show last year saying that it both echoes Shakespeare’sHamletand finds a language beyond it. Sign us up.